Book Review: ‘On Beauty’ by Prathyush Parasuraman

Book Title: On Beauty: The Cinema of Sanjay Leela Bhansali
Author: Prathyush Parasuraman
Publisher: Ebury Press
Number of Pages: 256
ISBN: 978-0143465980
Date Published: Nov. 29, 2024
Price: INR 338

Book Review

Prathyush Parasuraman’s “On Beauty: The Cinema of Sanjay Leela Bhansali” offers a thoughtful look into the aesthetic ideas that shape Bhansali’s films. Sanjay Leela Bhansali is renowned for his larger-than-life films, characterized by their opulence and grandeur. His cinematic creations stand out in Indian cinema history, not just for their storytelling but for their visually stunning sets that transport audiences into a world of rich aesthetics.

The book defends and analyzes his filmmaking style, showing that beauty is not just decoration but a core part of his storytelling. Parasuraman explains how Bhansali’s movies—like ‘Devdas’, ‘Padmaavat’, and ‘Gangubai Kathiawad’—combine deep emotions with stunning visuals, using beauty as a key storytelling tool. This approach challenges common criticisms that focus only on the lavish sets and costumes, highlighting instead how beauty plays a vital role in bringing his stories to life.

Throughout the book, Parasuraman delves into the intricate relationship between beauty and violence in Bhansali’s films. He highlights how scenes of emotional and physical turmoil coexist with stunning visuals, creating a unique aesthetic that invites viewers to grapple with complex themes. For instance, in the chapter titled “Violence in Beauty, Violence as Beauty in Ram-Leela,” he examines how Bhansali uses violence not as a glorified spectacle but as a poignant narrative device that enhances the beauty of his characters’ struggles. This duality enriches the viewer’s experience, prompting deeper emotional engagement rather than mere visual admiration.

While the book is rich in analysis, it occasionally lacks direct insights from Bhansali or his close collaborators, which could have further deepened its exploration of his artistic vision. The absence of visual aids is also notable; given that each paragraph alludes to specific frames from Bhansali’s films, readers unfamiliar with his work may find it challenging to fully appreciate the arguments presented. Nonetheless, Parasuraman’s writing is imbued with humor and flair, making complex ideas accessible and engaging. His vivid descriptions evoke the grandeur of Bhansali’s cinematic world, allowing readers to feel the vibrancy and emotional weight of each film.

Check out our Latest Book Reviews

In conclusion, “On Beauty” stands as a significant contribution to film criticism, particularly within the context of Indian cinema. It not only celebrates Sanjay Leela Bhansali’s unique aesthetic but also encourages a re-evaluation of how beauty is perceived in film narratives. Parasuraman’s passionate defense invites readers to reconsider their understanding of cinema as an art form where beauty and emotion are intricately intertwined. This book is a must-read for anyone interested in film studies or those who wish to appreciate the profound artistry behind Bhansali’s celebrated works.

Books are love!

Get a copy now!